"There shall be no solution to this race problem until you, yourselves, strike the blow for liberty." — Marcus Garvey

"Men search the pages of history for solutions, for precedents, but there are none. This, then, is the ultimate challenge. Where are we to look for our survival, for the answers to the questions which have never before been posed? We must look, first, to Almighty God, Who has raised man above the animals and endowed him with intelligence and reason. We must put our faith in Him, that He will not desert us or permit us to destroy humanity, which He created in His image. And we must look into ourselves, into the depth of our souls. We must become something we have never been and for which our education and experience and environment have ill-prepared us. We must become bigger than we have been, more courageous, greater in spirit, larger in outlook. We must become members of a new race, overcoming petty prejudice, owing our ultimate allegiance not to nations but to our fellow men within the human community."~His Imperial Majesty Haile Selassie I 1963 Speech to the UN

The quote above comes from the same speech as the more well known quote that Bob Marley made into the song "War." It is just as true and relevant today as it was over 50 years ago when Emperor Haile Selassie made the speech. I had to seek out His Majesty's words to try to quell the rage building inside of me due to the circumstances America finds itself in today. But let's face it, hatred and bigotry is swelling around the world.

I was thinking yesterday that if my grandmother, who marched with Dr. King, was alive today, her head and heart would be reeling with despair and disbelief from this deja vu, this flashback to a time long before I was born. She would probably feel like she failed her great grand baby by not making sure the job was complete. But I would have to tell her that she and her generation can't take on the blame because laws change circumstances not hearts and minds.

Today, this father's day, there are offspring mourning their fathers rather than celebrating them. There is a church in Charleston, SC who instead of celebrating and revering fatherhood, is praying for solace, comfort, peace, and protection because we as a race, the human race, have failed to "become bigger than we have been, more courageous, greater in spirit and larger in outlook." Because of our failure (not just our ancestors') racism is not only still alive, but regaining the strength of Dr. King's days. You disagree? Let me illustrate:

The Emanuel African American Episcopal Church Massacre

 Not a Gun Control Issue

President Obama and other gun control proponents would have you believe that this tragedy would have been averted had we had better gun control laws. Although I agree, we need better gun control laws,  this was not some "mentally unstable" individual with unknown motives who committed a mass shooting because he had access to a gun. This was a racially motivated attack on black people. The shooter himself said it. In 1963, the weapon of choice was fire bombs. But I believe that Mr. President didn't feel he could make this admission because after all, he's the president of the racists too.

Not an "Attack on Christianity"

So in this day, we are so familiar with the diversion tactics of those who push their own agendas and ideologies rather than stand for right. There are "news" agencies claiming that that youth was declaring war on Christianity. But he shot up a black church because black people were in it. The shooter himself said it.

Not a New Thing

In Birmingham, Alabama: It, too, was a racist attack that used a bomb on the 16th Street Baptist Church, killing four black girls on a Sunday in 1963. Protests have been flooding the streets in the last couple of years over police violence against blacks, yet, a senator, who is old enough to remember the 1963 bombing, has the gall to say it is "unfathomable" that someone would do this. He knows as well as I do that racists ideology is still being taught and upheld...the presence of the confederate flag at the capitol building in South Carolina should be evidence enough.

The Cause of My Rage

Many of you may have no real concept of what it is like to live as a black person in America...especially as a black woman. Let me give you a tiny glimpse:

• Trust: Bob Marley said, "Man to man is so unjust. Ya don't know who to trust." Imagine knowing that you are surrounded by at least 5 types of people but not always knowing which they are: 1. People who admit they don't like you because you're black 2. People who don't like you because you're black but don't admit it 3. People who don't realize they don't like you because you're black and thus keep their feet in their mouths 4. People who don't like certain aspects about your "blackness" 5. Those who sincerely like you as you are

• Abandonment : I have many friends and acquaintances whom I know are good, caring people who are all for equal rights and justice. Yet, when events like the Charleston Massacre happens (in fact, especially this event) they go silent. I see no posts, save for condolences, about the event and I hear no outrage from them. Mind you, there are those who are eternal warriors for justice and I am thankful for them. But to some of my non-black acquaintances, are you aware how something like this effects your black friends? Are you aware how one word of solidarity from you would comfort us? And please realize, some of the 5 types of people I mentioned above are black too. And some of you go silent as well. Do you really believe we have "overcome"? Do you think this is "the mountain top"? And no one steps up as a leader. I would, but I've only got 12 followers on this blog, I clearly can't garner support.

• Fear : I don't fear for my own life, but I have a bit of fear for these young people behind me who don't know their history nor do many of them have a true knowledge or understanding of what's going on today and the significance of it. Those who do, fight back, but they do so in a way that is unsafe for them because they have no guidance or leadership. Some of those 5 types of black people blame their "insolence" for their unfair treatment, when they should thank them for reminding them that they too should stand up for their rights.

• Pain: It pains me to see injustices and wickedness thrive unabated. There are good people in the world, many of them are white, and police officers. But when will they stand up for good? All who don't stand up are to blame as much as the oppressors. "our ultimate allegiance not to nations but to our fellow men within the human community." I also have to endure the pain of rejection from all men because the black woman is treated like the wretches of society. I endure stereotypes perpetuated by media and my own people, I endure the curiosity of those who ask me questions like I'm a creature from outer space. But mostly, I endure the pain of having to watch atrocities occur knowing nothing will be done to change it.

These are just a few sources of the rage building inside of me. The mental anguish of knowing I can't stop these things on my own is exhausting. I'm a rasta woman, and yes, we are about peace and love, but we are also about equal rights and justice. So, I'll leave you with the most famous quote from His Imperial Majesty's speech as food for thought:

"On the question of racial discrimination, the Addis Ababa Conference taught, to those who will learn, this further lesson: That until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned: That until there are no longer first-class and second class citizens of any nation; That until the color of a man's skin is of no more significance than the color of his eyes; That until the basic human rights are equally guaranteed to all without regard to race; That until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained; And until the ignoble and unhappy regimes that hold our brothers in Angola, in Mozambique and in South Africa in subhuman bondage have been toppled and destroyed; Until bigotry and prejudice and malicious and inhuman self-interest have been replaced by understanding and tolerance and good-will; Until all Africans stand and speak as free beings, equal in the eyes of all men, as they are in the eyes of Heaven; Until that day, the African continent will not know peace. We Africans will fight, if necessary, and we know that we shall win, as we are confident in the victory of good over evil."

~His Imperial Majesty Haile Selassie I 1963 Speech to the UN

In this great future you can't forget your past. ~ Bob Marley Part II

The Harlem Renaissance's influence spread not only across the country, but to Europe as well. When Marcus Garvey launched The Black Star Line Shipping Co., it enabled blacks to easily travel to Europe. Paris, France had its own Black Renaissance going on. African Americans who had remained there after the war, Africans who had migrated to Paris, as well as Africans born in France were creating works of art born of the same struggle to reclaim their African identity. From Martinique, another literary figure made (and still makes) history: Aimé Césaire (1913- present) . Born at Fort-de-France in 1913, he came to Paris to complete his education and meets Black students from Africa as well as Black Americans from Harlem. Léopold Sédar Senghor (1906-2001), then a student from Senegal, welcomed Aimé Césaire as would a big brother, at the prestigious Lycée Louis-le-Grand where they both studied. They shared their feelings of a certain loss of identity in this Parisian new cultural environment. In order to express their anguish and their efforts to regain the sense of whom they were, they searched for a term that would express just that. Aimé Césaire coined a new word, "negritude" and soon this term became synonymous of a new movement in literature, the literature written in French about the Black Man and what he represents on the world, or global scene.  Negritude is a concept that celebrates "Black is beautiful."* Langston Hughes also travelled to Paris via a freight ship and there he wrote the poem A Negro Speaks of Rivers. It is of great significance because he mentions the Congo River, expressing his consciousness and longing for his African homeland and heritage.


There are countless more artists and activists from the Harlem Renaissance that I have not mentioned. All of these men and women stirred up a consciousness within African Americans as well as left a rich heritage of creativity, intellect, and pride for future generations. I love this era because it was the beginning of an African expression that is vital to survival and success. Know thyself, I always say. When ones know who they are, where they come from, and what they are capable of and build up pride within themselves, they are sure to succeed.

This creative and intellectual effort lives on today in many communities. I know of one such movement in California that I call the Urban African Renaissance. There are young painters, writers, musicians, dancers, and creators of fine art living among us who are keeping their heritage alive and blazing trails for future generations. They are conscious and aware and most of all, knowledgeable of themselves. I would like to take this opportunity to introduce you to a few of them. Please support them in their efforts to preserve their rich culture.

Ras Terms aka Terockatron, aka James Lightbuilder is self taught artist living in Oakland, Ca. His works are ethereal and substantial, colorful and lively, and full of philosophical subtext. You can find his murals all over the San Francisco Bay area.

Shania D aka DarShania, is a singer, rapper, producer, writer and activists living in Long Beach, CA whose life and work is devoted to service of her fellow man. Her music is conscious and lyrical, and she is currently writing a self help book. You can download her cd Hip Hop Honey on itunes. Her company Lovers Inc. does many programs and fundraisers for the community and particularly the youth. Lovers Inc.'s current project is Labor of Love Vol. 1, "a collection of inspiring artists have donated a song to help raise money for the cause of teaching youth art& music for free and to help serve in the community by preparing food for the homeless and various altruistic happenings of the sort."** 

 

Ashley-Dominique is a Booking Agent, Host, MC, Singer, Poet, Graphic Designer, Photographer, who loves to freestyle when ever a dope beat drops.*** This Renaissance woman does it all. You can find her spittin rhymes in Long Beach at the Basement. Her next show is February 12, 2011 where she will be headlining at The A.M.C. Gallery. You can also find her music at http://www.reverbnation.com/ashleydominique. Like all of these artists, Ashley Dominique is conscious not only about her heritage, but also the environment. She recycles bottle caps and makes them into earrings. You can purchase a pair or two at http://recyclethatcap.weebly.com/

Check her out at http://admuze.weebly.com/

Joseph Gell is a talented musician whose specialty is drums. He originally hails from Massachusetts and relocated to Los Angeles where he studied and performed Yoruban rhythms and songs with Nigerian Talking Drum master Francis Awe. **** He currently teaches drums to youth and frequently holds free drumming circles for all ages. He plays in the roots reggae band Jah Beloved. Find out about drum lessons from Joe at

http://joegelldrums.com/

I like Roz Kumari's self description best, "Artist, Mutha, Revolutionary, Soul Rebel, Goddess, Soul Mate, Earth!!" Roz Kumari is the owner of Kumari Visions and Kumari Universal. She is a photographer whose work captures the tribal spirit of her subjects. Her work depicts African American and urban life. She is famous (to me at least) for showing the strength and beauty of youth and families. Roz is also an accomplished jewelery designer, creating bold designs with tribal influences.

 

These artists are just a handful of the new trailblazers creating history in your community. Following in the footsteps of the Harlem Renaissance "New Negros," they are the voices of African/Caribbean Americans. I am proud to have experience their art, proud to have made their acquaintance, proud to call them friends. Take part in making history and support them. A new Renaissance is afoot!

*http://www.jcu.edu/harlem/French_Connection/page_4.htm

**http://www.facebook.com/#!/shaniad?sk=info

****http://joegelldrums.com/

In this great future you can't forget your past.~Bob Marley Part I

I have Black History (or African American History) on my mind everyday. But this month is the one chosen to celebrate so I have decided to pay homage to those who have blazed trails and made their marks on the world. The Harlem Renaissance has been my favorite era since I first learned about it in ninth grade. Let me paint a picture for you. Actually a picture alone will not do. When I think of the Harlem Renaissance and the artists, scholars, and activists who it consisted of, I see colors, I hear rhythms both musically and lyrically. I imagine the spirited intellectual debates that sprang out of the thirst for knowledge. Jazz, rhymes, philosophy, pride, negritude, and all with soul.


The Harlem Renaissance, or the New Negro Movement, as it was also called, was a cultural, literary, artistic and intellectual movement that started around 1919 and went on through 1935.  The movement brought to light many of the important issues affecting African Americans through various forms of literature, music, painting, sculpting, movies, and protests. These voices of protests inspired institutions and leaders who in turn served as mentors for aspiring writers. Though the movement started in Harlem, its influence was seen nation wide and beyond.


One of the things that I most like about the Harlem Renaissance is that it was a time when African Americans still saw education as the great equalizer. During this time, African Americans saw education to be extremely important and the key to success. Because New York prohibited segregated schools by law, African Americans looked at it an opportunity for a quality education.  Harlem attracted thousands of blacks from the south and the West Indies because of its economic and educational opportunities. Blacks in the south were also fleeing racist activities that threatened life and limb. Blacks also had a greater militancy and awareness that the promises for a better life after World War I had not been kept. West Indians who came to the U.S. seeking economic opportunity and prosperity had almost no illiteracy among them. They had great business minds and were said to have made up one third of the city's professionals, physicians, dentists, and lawyers. West Indians were not accustomed to the racial hostility and harassment found in America, and the same ethos that led some to become professionals, led others to become political radicals.


The most significant event regarding education during the Harlem Renaissance was the philosophical debate between  Booker T. Washington and W.E.B. Dubois regarding the most beneficial education for the needs of African Americans. Booker T. Washington, an educator and first leader of the Tuskegee Institute, believed that African Americans should have an industrial education, learning to be farmers, mechanics and domestics and providing much of the services and produce needed by white society. He felt history, mathematics and science was impractical for the Negro. He stressed that if African Americans wanted to be successful, there needed to be an economic foundation built from land ownership agriculture and industry. He also advocated building relations with whites and discouraged African Americans from leaving the south. W.E.B. Dubois, a scholar and a teacher, found Washington's views too narrow and economic in its objectives. He also felt Washington's views were disapproving of institutions of higher learning as well as too conciliatory of the south's destruction of African Americans political and civil rights. Dubois advocated an educational concept for African Americans labeled "The Talented Tenth." This represented a small number of educated professionals who were committed to improving race relations and civilizing, uplifting, and elevating the masses. Both ideologies had proponents, and both men certainly had many followers. Regardless of the vast differences in opinions, it was inspirational to see African Americans so spirited and engaged with educating themselves.


Renaissance means re-birth or revival. If you look up the word alone, it talks about a period in Europe from the 14th through the 17th centuries in which there was a rebirth of the arts. It was the time when Da Vinci, Botticelli and Michelangelo emerged. I look at the Harlem Renaissance as a time when Africans in American had a rebirth or revival of the gifts from their ancestors, a re-awakening of their heritage. An unprecedented amount of creativity from black writers emerged, inspired by the anger of discrimination and the anxiety of  culture lost, left in Africa. These expressions started as literary discussions that brought young black writers and intellectuals from around the country, the Caribbean, and Africa to Harlem. This movement gave rise to the likes  of Alain Locke, Marcus Garvey, and W.E.B. Dubois who all edited magazines or papers and served as inspiration to the literary masses.


My favorites are the writers. Among the poets, fiction writers, and essayists were Langston Hughes, Countee Cullen, Claude McKay, Helene Johnson, Zora Neale Hurston, Nella Larsen, and Jean Toomer. These artists were the New Negro. They were assertive, racially conscious, articulate, and in control of what they produced.

Heritage by Claude McKay

Now the dead past seems vividly alive,

And in this shining moment I can trace,

Down through the vista of the vanished years,

Your faun-like form, your fond elusive face.

And suddenly some secret spring's released,

And unawares a riddle is revealed,

And I can read like large, black-lettered print,

What seemed before a thing forever sealed.

I know the magic word, the graceful thought,

The song that fills me in my lucid hours,

The spirit's wine that thrills my body through,

And makes me music-drunk, are yours, all yours.

I cannot praise, for you have passed from praise,

I have no tinted thoughts to paint you true;

But I can feel and I can write the word;

The best of me is but the least of you.

The Negro Speaks of Rivers by Langston Hughes

I've known rivers:

I've known rivers ancient as the world and older than the

flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.

I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset.

I've known rivers:

Ancient, dusky rivers.

My soul has grown deep like the rivers.



Aaron Douglas



Palmer C. Hayden



Visual artists played a key role in creating depictions of the New Negro. Artists Palmer C. Hayden. James Van Der Zee, and  Aaron Douglas among others created stylized portraits of  the African American lifestyle as well as African Americans during this time.



James Van Der Zee



                         

Then, of course, there was the music. Musicians like Billie Holiday, Duke Ellington, Ethel Waters, and Louis Armstrong took jazz to another level. They used music as a way to  express discontent with the treatment of African Americans as well as a musical expression of the soul of black people. Duke Ellington took jazz to new heights when he recorded Jazz music's' first two-sided, six-minute song in 1929 with his version of The Original Dixieland Jass Bands' "Tiger Rag" (part 1) and (part 2) in 1929 and began to push the limits of 78 rpm records (three minutes per side).