Groundation: "Building an Ark"-A Fan's Review

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California reggae band Groundation is a reggae/jazz fusion band influenced by many other genres. One thing I can say for sure is that they are consistent in their regard to quality and growth. They are diligent about evolving their sound, they stay true to conscious roots reggae music, and their musicianship is always on point. Do not, however, confuse this consistency with a lack of diversity. Although fans can always recognize Groundation’s rich sound, one can never say one album sounds like the next. Their seventh and latest studio album release Building an Ark is a perfect example of this diversity and consistent growth.

The album, much like Groundation’s collection as whole, progresses like a story. The title track “Building an Ark” starts off as a ballad-like acoustic with Harrison Stafford getting as close as you may ever hear him get to “crooning” a love song in a traditional sense. The lyrics, of course, have a myriad of meanings, so those of you not wanting a ballad from this roots man will be satisfied.

The story continues with chapters about judgment, “Flames burn hot and red, a fierce fire for them” (Merry-go-round), and corruption, “Robert Mugabe led the people dem astray/Bruce you know you lead the people dem astray” ( Payaka Way). It arcs with “The Dreamer,” a song with a clear country influence (Willie Nelson in particular). Harrison Stafford (the dreamer) sings of himself “As a cowboy I come riding my golden chariot” and emphasizes the album’s hopeful tone, “So plant your seed and teach your children of all unseen/for we have not lost sight of the dream.”

In true roots style, the album has a few biblical references. Besides “Building an Ark,” there’s “Daniel,” a reference from the book of Daniel in the bible. In this funky tune, Harrison Stafford recounts, “Just like Daniel heading out of the lion’s den/When all of his bredrin, they all left him for dead.” But also true to roots reggae, there are songs that are prophetic, and a commentary of the times. “Payaka Way,” speaks directly to the greed occurring around the globe and could be an anthem for occupiers, “Recession you can feel is all about money/So much pressure you can’t deal it is all about money/Oppression of the poor it is all about money/The rich is getting richer still they want more Money.”

Any Groundation fan will tell you that nothing compares to a live performance, primarily because of the lively solos. Building an Ark, the album, comes close to being a live album. Rife with solos, the members of the band stretch their musical chops, giving the listener a taste of the scope of their skills. “Daniel” even has a soulful guest guitar solo by Lukas Nelson, son of Willie Nelson.

As much as the album name contains a tapestry of meanings; “Ark” referring to Noah’s Ark in Genesis, the Ark of the Covenant (the sacred chest which holds the Ten Commandments), and ark as a place of protection or refuge, so does the music. Each track is intricately built with levels of all seven instruments and music from more exotic instruments like the conk shell on “Humility.”  Although Groundation is loyal to unadulterated roots reggae, their music is not your father’s reggae. With the characteristic reggae “riddim” as the base, Groundation cooks up a thick musical stew with the lyrics as the “protein.”  Staples are then added to this musical banquet in the form of horns, bass, keyboards, drums, and timbales to create hearty comfort food that fills the belly of the soul. Harrison Stafford, Kim Pommell, and Kerry Ann Morgan add flavorful seasonings with the broad range of their voices to finish off this rich musical feast. The album closes with another more melancholy acoustic “Sun Light Reflection” which laments, “And what if our history, Is but the endless struggle of wolves and sheep?” signaling Groundation is not done telling this story.

Purchase album at groundation.com, groundation.fr or iTunes

We Have All Lost Sight of the Dream

"In the process of gaining our rightful place, we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline." ~Martin Luther King Jr. I Have a Dream delivered 28 August 1963, at the Lincoln Memorial, Washington D.C

Many people don't remember this part of Dr. King's famous speech. I know this because I see and hear those who are oppressed showing bitterness and hatred  not only toward the oppressor, but toward others who are oppressed.  It seems that we are no longer on a mission of unity, but on one of separation.

There is no such thing as equal rights and justice if it is only for some. If equal means as great as, the same, and justice is the principle of fairness and moral rightness, then equal rights and justice only exist when it is given to all. Yet, many who fight for their own rights, at the same time want to keep others from theirs. Rather than trying to take away someone else's rights, we should be fighting to keep as many rights as we can.

There are so many excuses for separation, none of which are valid. To show partiality or prejudice because someone looks different, thinks differently, speaks differently, believes or lives differently is absurd because none of these characteristics affects another's life. Yet we wage these wars in our hearts against one another based on delusions. Black against brown, black against Jew, white against black, straight against gay, Christian against Jew, and so on is the busy work of the real enemies.

The real enemies are hatred, greed, and ignorance.  Instead of putting up a united front against these foes of humanity, we apportion ourselves into groups that fight each other. That fighting only gives birth to more soldiers for the enemy. Dr. King's dream was for freedom for all: 

And when this happens, when we allow freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual:                Free at last! Free at last!                Thank God Almighty, we are free at last!

It seems we have all lost sight of the dream. PEACE and blessings. 

Bob Marley's Birthday 2012: Groundation Tribute

February 6, 2012, Bob Marley's 67th birthday. What better way to celebrate (and you have to celebrate)than to hear Groundation pay tribute to the Legend. I made the drive down to Santa Cruz, Ca. happily singing Bob Marley tunes in anticipation of another phenomenal show...and Groundation would not let me down. As the crowd trickled in, I noticed the usual Groundation/Bob Marley audience of young and not so young mingle and compare concert stories. Some travelled great distances just for the show. One couple chose to celebrate their anniversary by driving from Reno, NV. to hear Groundation sing Bob Marley's spirit lifting tunes.

Something I find to be unique about this band is that they are humble, friendly, and just plain good hearted people. I wonder if it is the positive music they play that makes them that way or if they play positive music because they are that way. I suspect it's a bit of both. Many of the band members hung out in the audience and talked with fans before they played. They behave more like hosts welcoming guests into their homes than a world famous music group. It really sets the mood.

It's been 30 years since Bob Marley left here, and his songs are still relevant, evocative, and touching younger generations around the world. That is why he is a Legend...that is what signifies great music.  Artists who sing about materialism, superiority, or negative ideas will be long forgotten because those things will not last. Groundation will be like Bob Marley in that their music will be around long after they're gone (which I pray is a good long time from now). They graced us with a song from their forthcoming new album "Building an Ark" (Due to be released March 20 in Europe and March 27 in the U.S.), called "Daniel". I'm already in love with this song. Set to a funky groove, it talks about future redemption and hope as in the book of Daniel in the bible. If that's not Bob Marley-esque, I don't know what is.

Harrison Stafford clearly channelled Bob Marley last night. Skankin and passionately wailing Bob's tunes, he set the crowd on fire....and "no water can put out this fire." Bob and Groundation's music speaks to me partially because it is empathetic. The world is in crisis, and individuals go through their own personal crisis, and their music speaks to these crisis and gives hope. I can feel that Harrison understands and feels Bob's words and it was as if he knew my trials and was speaking directly to me. The message is in the music, and the message is clear...equal rights, justice, peace and love for all. I am grateful for Groundation and Bob Marley. I thank you Lord for you made them sing. Peace, blessings, and music.

Groundation: The Prequal

I'm getting excited as my "reunion" with Groundation (my favorite roots reggae band...if you didn't know) is coming up in seven days. I know I've mentioned them a lot in my blogs, but it's because their music has had a profound effect on my life. I can't really say that about many artists' music. I will say that their music's effect  on me was akin to Bob Marley's.

Groundation fell into my lap out of nowhere. I had only heard one song, "Groundation Chant," on my Bob Marley station on Pandora.  The first thing that got my attention was the one two beat of the drum that I've heard so often at Nyahbinghi* gatherings. Then I heard the words "Please believe me when I say, there will come a day when everyone shall see unification." Now, I tell you, at this particular point in my life, I felt like everyone around me was bent on separating and distancing themselves from one another, so they had me at "unification." This is conscious music that uplifts...a rare commodity these days.

A few months later, I saw them for the first time at the Raggamuffin Festival, which is a Bob Marley celebration in the Los Angeles area. I admit, I was a little skeptical at first because I had only heard the one song, and not everyone can do Bob Marley justice. Those of you who are Bob Marley fans know that there is nothing worse than someone destroying one of his songs. Nevertheless, I was front and center ready to give them a chance. I was encouraged (and impressed) when I saw Leroy "Horsemouth" Wallace sitting on drums. Mr. Wallace has played with many of the great reggae artists and was in the movie "Rockers."

Mr. Wallace boosted my confidence in the group, but they still had to play Bob's music. I was surprised (and relieved) at the musicianship of the band. The music was as tight and clean as a recording. Harrison Stafford delivered the tunes in his own personal style without muddying up the original sound. You see, that's where many artists go wrong when singing Bob Marley's songs. They want to put so much of their own personal touch that the songs don't sound the same...or the musicians just don't play very well. The only disappointment of the performance was that it was too short. It was, however, a festival with other artists still to perform including Bob Marley's son Stephen.

It will be a treat to be able to hear Groundation perform more of The Legend's songs, and some of their own, including songs from their album to be released in March. I love being able to chill with this great group of people...but the music is the thing. It's like I'm plugging myself in and I'm fully charged and renewed when I leave. I'm going to try to blog after each show. Perhaps Mr. Stafford will even bless me with a short interview? (Are you reading this Harrison? Someone forward this to him please) If you're in northern or southern California, I hope you decide to see a show so you can experience what I'm trying to express. You can see the schedule here. For those of you wondering, no, I don't work for them...yet.  More to come...Love, light, and

music.

*A Rastafari spiritual gathering with drumming and chanting